Showing posts tagged writing.
Ask me anything   What I Am Up To   About   

Home and Away

Last week, I moved all of my belongings into storage and took off for China, where I’m teaching for the summer. Because I was leaving, and because my boyfriend and I are “taking a break,” we decided to give up our apartment, even though it was really, really nice, and surprisingly affordable. I toyed with the idea of subletting it, but there’s no way I could afford the rent on my own when I return, and it would be depressing to be in our old place and surrounded by reminders that we couldn’t make it work even though we loved each other and, again, had a pretty great apartment. In New York City, that’s some sort of crime. 

When I was slipping the keys to my storage unit on my key chain, I realized that although my key chain weighs, like, a pound and a half, the keys to that lock are the only keys I need. They, of course, weigh almost nothing. A lot of people move their stuff into storage and marvel at how their life and belongings, which once seemed so sprawling, fit so easily into a 5 x 10 unit. I certainly did, and knowing that key would be my only connection to all of my stuff when I was halfway around the world was both liberating and frightening. 

Read more
— 2 years ago with 9 notes
#home  #parents  #fires  #floods  #keys  #writing  #long reads 
The Reply

So I heard back from “my father’s mistress” and…well, you’ll see. She seems very cool and thoughtful and open-minded. The email I sent her had no subject (because what the hell could I say?) but the subject of her reply was “Peoples’ lives and our narratives about them.” I was like, aaaaaaand I love you.

I’m still processing this, both because there’s a lot to process and I’m confused, and because I’m in Asia now and so jet-lagged I’m about two seconds away from passing out.

I welcome your initiative to contact me. It’s not a problem at all. I would like to have a conversation with you about your dad, who was a good friend and mentor.

When your dad died in the car accident in Ukraine I was 24 years old, just out of graduate school.

I met your dad at an art gallery. It turns out we both loved the visual arts and thus started a friendship that centered around exploring the turbulent cultural life that was unfolding in early post-communist Ukraine. He was an enthusiastic buyer contemporary art and was well connected. I was thrilled to come along and absorb the atmosphere. I was flattered that he would want to take me along.

Read more
— 2 years ago with 9 notes
#long reads  #letters  #dad  #dads  #grief  #writing 
B+’s and Bad Habits

I’ve been so busy I haven’t had time to write anything, but in between my all consuming, last-minute-class-planning-and-student-paper-reading, and my related but useless empty-headed-wall-staring-or-drinking, I found a little time to think about this project. What I mean to say is, I thought about it without meaning to, while simultaneously staring at walls or strangers on the subway.

I didn’t want this project to be cathartic. I don’t think the need for catharsis is a reason to write, and I don’t like reading work that’s reaching for it. However, I seem to have achieved some anyway. Since starting this blog, I’m less attached to my original narrative about my parents—a little less “poor me.” I never thought about my parents much, but now I think about them even less. When I do, I don’t feel much friction. While I’m sure that sounds fucked up to some people, I think it’s a good thing. When I used to think about my parents, it was usually through subconscious connections or a need to “work something out.”  The fact that they’re not bubbling up as often must mean I’m not struggling as much with what happened. 

I was telling a friend about this project on Friday night, which was random because I’m not talking about it with anyone. We were talking about our own lives, our false starts and distractions. He’s recently married and finding it hard to stay faithful; I’m in a totally committed relationship but scared of actual marriage. I brought up this project because what happened to my parent’s seemed relevant to our conversation. I thought we could learn something from them, and I told him what I’m discovering.

Read more
— 2 years ago with 7 notes
#dad  #dead parents  #long reads  #mom  #writing  #grief 
Maybe I am a Terrible Daughter

In her memoir “The Long Goodbye,” Meghan O’Rourke suggests that grief can be isolating because our culture is “nervous around death.” We don’t have rituals that govern it, or a shared language to discuss it, so it’s hard to even know what it means to grieve. I know she’s right, but only because that’s what I’ve witnessed or been told. That hasn’t been my experience at all. 

It is true that many people don’t have access to rituals other than the standard trifecta of wakes, funerals and burials. And for people such as myself, even these have little meaning because they are usually framed by a religion like Catholicism, which offers me nothing I want to take.

My boyfriend’s grandmother died last week, so I recently participated in all of these rituals. We spent Sunday at the wake, and Monday at the funeral and burial. An additional gloom hung over the events because the one-year anniversary of his father’s death was the following weekend. Not only were people remembering where they had been a year ago, but they knew they’d be back in church again shortly.

Read more
— 2 years ago with 4 notes
#Meghan O'Rourke  #fathers  #funerals  #grief  #mothers  #long reads  #writing 
Grief and Not Grief

I’ve been focusing on my brother’s death a lot here recently. Of course, a shaman did just tell me my brother was…I’m still not sure how to say it. With me? Following me? Fucking with me?

I never really understood the role that his death played in my family, and going over my mother’s letters and notes—even talking to my aunt— taught me it was much bigger than I understood or imagined. I’ve also realized I’m bizarrely steeled against grief, so I’m not great at understanding other people’s experience with it. A few years ago, when I heard the news that my best friend’s schizophrenic sister committed suicide, the first thing I thought was that it was probably for the best. Her sister’s illness had put her entire family (and particularly her) through so much. But when I actually said that out loud to someone, they looked at me like I was crazy. My friend and her family probably weren’t taking such a practical approach to their loss, but the fact that I couldn’t understand why they weren’t a little relieved said a lot about me. 

Read more
— 2 years ago with 4 notes
#alcoholism  #death  #grief  #mom  #mothers  #long reads  #writing 
Which Versions of Your Parents Should You Love?

I recently assigned bell hooks’ essay “In Our Glory: Photography and Black Life” from her 1995 collection Art on my Mind: Visual Politics, to my academic writing class. The essay is about “the place of the visual in black life—the importance of photography,” particularly the family portraits and snapshots that adorned the walls of African-American homes before racial integration. hooks believes these images offered a way for black people to see themselves differently “than the dominant culture” and that they were  “a critical intervention, a disruption of white control over black images.”

It’s a really interesting essay. My students weren’t crazy about it, but it prompted a good discussion. hooks frames her essays with stories of her personal relationship to photography, which enriches and complicates her argument. It’s her personal story that I want to talk about. She begins by describing finding a powerful snapshot of her father that her sister “possessed”—a picture hooks had never even seen until she found it displayed in her sister’s house.

“In this snapshot,” she writes, “he is standing by a pool table. The look on his face is confident, seductive cool—a look we rarely saw growing up…There is such boldness, such fierce openness in the way he faces the camera. This snapshot was taken before marriage, before us, his seven children, before our presence in his life forced him to leave behind the carefree masculine identity this pose conveys.”

hooks was fascinated by the photo, and, in a sense, seduced by the intimacy it seemed to offer. She says, “Standing before this snapshot, I come closer to the cold, distant, dark man who is my father, closer than I can ever come in real life. Not always able to love him there, I am sure I can love this version of him…” Later she adds, “I want to rescue and preserve this image of our father, not let it be forgotten. It allows me to understand him, provides a way for me to know him that makes it possible to love him again, despite all the other images, the ones that stand in the way of love.”

Finding old photographs of your parents, especially ones that are B.Y—before you—can be exhilarating. It’s probably some sort of rite of passage, and probably one that gets a lot of page time in memoirs. I haven’t read enough memoirs to know, though I’m trying to change that. (I just read Kathryn Harrison’s The Kiss. Amazing and brutal. I can’t remember if there’s a “picture scene” in it.)

I assume most people who are close to their parents have more delightful experiences when looking at old photos. Look how awesome/terrible mom dressed! Look at dad’s beard! Etc., etc. But when you’re not close to your parents, it’s easy to become confused when you see a side of them in a photo that seems impossible given your experience. And while I admire hooks for being open to what is essentially a new relationship with her father, I’m struggling to do the same.

When I first started this project I wanted to get to know my parents, maybe even find a way to miss them. I’ve definitely lost sight of that goal at times, but it’s supposed to remain a sort of North Star.  And I am getting to know my parents, learning things about them I knew nothing about. Their correspondences, to each other and to friends, have affected me far more than the photographs I’ve found. My father’s eloquent, loving letters to my mother reveal a side of him that I never could have imagined. I’m so happy to have these letters, but really, they’re also kind of a mind fuck.

The problem is, knowing my parents in this new way requires a tectonic mental shift—and it’s one I’ve been resisting. hooks makes it sound easy and tidy, but I’m sure it wasn’t, and I find myself intimidated by her grace. It’s one thing to appreciate a new “version” of a parent, and it’s another to be able to love it. Love is…such a strong word.

What is the correct or “true” version of a parent? Is it the one you experienced for years, one that you can substantiate with personal experience (which could be considered evidence) or is it the photograph or the letter that upends it all? The fact hooks would allow these versions to exist together, or have one to replace the other, shows that she invites another version, right? If you’re not inviting, does that mean you’re denying the truth?

It’s hard for me to let go of my original ideas about my parents. The letters my father wrote my mom are amazing, but also creepy and overdramatic—and not just because it’s gross to think of my parents in certain ways. I read dominance and insecurity into his longing for my mother. I wonder if I am seeing shades of his controlling nature. I wonder if my mother was in Europe not to learn German, but to get away from him.

Similarly, when I see pictures of my parents where they seem in love, I wonder if either of them are faking it (particularly my mother). Are they smiling but thinking, “What the hell am I doing?”

I second-guess all of these documents because so much of my experience contradicts it. But what’s the point of examining all of these artifacts if I’m not willing to believe what I find in them? hooks talks about letting the newly discovered image of her father replace the images of him that stand in the way of love. I’m trying to let these new images of my parents replace the ones that stand in the way of my grief, because I consider a lack of grief to be a lack of love. I wonder if it was hard for hooks to love her father again. It’s certainly hard for me to grieve for my parents, even though I’m chasing a desire to do so. I don’t want to love or grieve a version of them that’s basically my own fabrication. Is it really possible, or wise, to let the things I didn’t know about them, or images I never had, overshadow the ones I did? That seems like a form of magical thinking to me, one that’s seductive, but also a little dangerous.

Although I started this blog to figure out who my parents were, I quickly found another goal. Once I realized that my parents might have been “different” once, I’ve wanted to figure out why they changed. Everything I’ve discovered seems to point to my brother dying when he was 10 months old, two years before I was born. Sorry if you want to shout “duh,” but I really didn’t understand how that could permanently throw their marriage off the rails if they already had one child and then successfully had another. (Shows what I know about relationships, children, life). Because I didn’t understand how that could happen, I assumed things had never been very good; that my parents were always the people I’d known. Even when they were alive there was plenty of information to contradict my verdict of their unhappiness: my friends’ affection for my mother, my father’s sense of humor, their travels and photographs, their interesting friends.

Maybe the biggest thing to take away from this is that you can never know your parents, alive or dead. I don’t think children have the capacity, or the distance. That doesn’t mean our version of our parents is wrong, but it’s certainly not complete. We can’t know our parents because when they’re fulfilling their duties as parents they are playing a role. They have to tell us what to do, worry about us, try to protect us—it’s hard for some of them to stop, even when we’re old enough to take over the responsibilities ourselves. 

— 2 years ago with 5 notes
#bell hooks  #dad  #grief  #joan didion  #longreads  #mom  #old letters  #long reads  #writing